Sound Walk in Logan Square as part of the New Romantic Speculations workshop organized by Giovanni Aloi and Caroline Picard. Photo by Lara Schoorl.

Esau McGhee, “Blackitolism,” installation organized with Terrain 2015.

Alex Zak installing for Tertiary Dimensions, 2015.

“Tertiary Dimentions,” curated by Alexandria Eregbu at Sector 2337, 2015. Left to right: Betsy Odom, “Double Bull,” 2015, leather, 6.5 x 12 x 2″; Rami George, “Untitled” (scene from still), 2014, archival pigment prints, 12 1/5 x 18 1/5″; Oli Rodriguez, “The Papi Project: Archival Image #2: Kitten Eating a Raw Chicken,” 2013, archival pigment print, 29.  1/5x 23″; Aay PrestonMyint, “Peony Mirror (For Mark Aguhar),” 2012, color video installation, looped; Gordon Hall, “Set (X),” 2015, joint compound and pigment on wood, 17 1/4 x 17 1/4/ x 5 1/5.” In front: Amina Ross, “Soft Interiors,” 2014, acrylic latex paint, queen size pillows, dimensions variable. Photo by Claire Britt.

“Tertiary Dimensions,” curated by Alexandria Eregbu at Sector 2337, 2015. Left to right: Matt Morris, “Hysteria”, 2015, ruched pink chiffon curtain, 77 x 117″; Rami George, “Untitled” (scene from a still), 2014, archival pigment prints, 12 1/5  x 18 1/5.” Photo by Claire Britt.

Alexandria Eregbu presents her Tertiary Dimensions screening, “Bending The Circuit.”

“I’m starting to understand that through a tree too one can embrace a person” — Nathanaël

“A dance of difference that resist giving over to the upper classes and their fantasy of it” — Matt Morris at his book launch for The Perfect Kiss (QQ)**

Joan of Arc in Studio. The band Joan of Arc (TIm Kinsella, Bobby Burg, Theo Katsaounis, Melina Ausikaitis and Jeremy Boyle) used the gallery of Sector 2337 to record part of their new album.

“No matter the circumstance do not grant emergency powers to anyone” — Joshua Clover

“My uterus lightbulb is driving the bus” — Rachel Galvin

“Tinkerbell she’s mending all the pots & kettles / Isn’t it a bit too big a task for a fairy? / Tinkerbell is hardly dressed, you know” — Jenny Boully (poster by Koen Slothouber & Sonnenzimmer)

Katherine Behar, “High Hopes (Deux),” presented during “Impatient Flowers,” a performance event curated by Every house has a door, 2015. Performance still.Photo by: Soohyun Kim.

Katherine Behar,  “High Hopes (Deux)” presented as part of “Impatient Flowers,” an evening of performances curated by Every house has a door, 2015. Performance still. Photo by: Soohyun Kim

Joshua Kent, presented as part of “Impatient Flowers,” an evening of performance curated by Every house has a door, 2015. Performance still. Photo by: Soohyun Kim.

Joshua Kent, presented as part of “Impatient Flowers,” an evening of performance curated by Every house has a door, 2015. Photo by: Soohyun Kim

“It’s as though I thought I could understand every side from the outside / even the blind side” — Rebecca Wolff

“You are in that era of high silliness / Trotsky on toast” — Christian Schlegel

Installation preparations for “Imperceptibly and Slowly Opening” with Deanna Ledezma and Mayra Rodriguez Castro.

Installation preparations for  “Imperceptibly and Slowly Opening” with Linda Tegg.

“Imperceptibly and Slowly Opening,” Installation view, Sector 2337, Fall 2015. Photo by Clare Britt.

“Imperceptibly and Slowly Opening,” Installation view, Sector 2337, Fall 2015. Photo by Clare Britt.

Looking at Lichen during Laurie Palmer’s Lichen Walk, organized as part of The Lichen Museum, an” Institution in Residence,” at Sector 2337 in 2015.

“This walk is dedicated to Grace Lee Bogs” Laurie Palmer introduces Lichen Walk, organized as part of The Lichen Museum, an “Institution in Residence,” at Sector 2337 in  2015.

“While the garbage that his organs make / sublimes into profit” — Rob Halpern

“Worlds are born out of oblivion” — Matvei Yankelevich

“Heaven has clouds and hell has mirrors” — Julie Carr

On halloween we made a lawn inspired by “Imperceptibly and Slowly Opening.” Photo: Linda Tegg.

“The inanimate attitude is a curtain of addiction early morning the rest” — Kit Schluter,  ‘Translations of Forgetting.”

“as the news that distracts from spectral sass” — Jen Scappettone,  “. . .(In Exion).”

“For every pile there is a pit, for every pit, there is a pile,” Thom Donovan, The Hole.

“as if a larynx stretched out in a tomcat giggle could exude spiked perfumes” — Cassandra Troyan, Kill Manual

“Imagery played a critical role in both establishing and resisting colonial identity” Patricia Goldsworthy-Bishop presents her talk, “Casablanca Retro,” organized by InterCcECT.

Mark Payne + Caroline Picard in conversation, Plant Symposium, 2015. Photo by Lara Schoorl.

Still from Chuck Cannon’s talk, “Tree sex: slowly, imperceptibly kinky,” Plant Symposium, 2015.

“Botanical Photograms Workshop” led by Fereshteh Toosi, Plant Symposium, 2015.

Attention Feeder workshop led by The Laboratory for Material Thinking, Plant Symposium, 2015.

“I do not underestimate the infatuation with infinity that is reaching out…” Keston Sutherland

“Lines of blood irrigate my extremities…I let out a trickle of sound. / I expire,” Chantal Neveu

Adaptation of Quraysh Ali Lansana’s book of poems, The Walmart Republic, directed by Emily Hooper Lansana, Poets Theater Festival, co-produced by The Green Lantern Press + Kenning Editions w/ help from Poets and Writers.

“El Gato Pussycat Proteja Your Gringo Cheese,” a neo-benshi piece by Daniel Borzutzky, Poets Theater Festival, co-produced by The Green Lantern Press + Kenning Editions w/ help from Poets and Writers.

(Above) Assaf Evron, “Untitled (Athens and Oraibi),” 2015, pigment print, 15 x 20″. | Starting Bid: $600 | Value: $2000 (edition 2/3) | more details here | Image: courtesy of the artist and Andrea Meislin Gallery, New York City

Alexandria Eregbu, “Proverbs for an Unwanted Passenger,” 2015. Engraved aluminum baton, 12 in. x 1.75 in. x 1.75 in. (Edition of 6). | Starting bid: $25 | Value: $250. | more details here

(Above two) Bailey Romaine, “Building sketch #2,” 2015. Linoleum flooring, house paint, wood, nails, glue. | Starting Bid: $75 | Value: $300 (edition 2/3) | more details here

(Above) Robert Burnier, “Lektrinkis,” 2013, primer on aluminium, 15 x 18″. | Starting Bid: $750.00 | Value: $2800.00 | more details here.

(Above two) Joseph Grigely, “Nine Blue Conversation,” 2001. Offset Litho & pins, edition 31/100 (comes with a signed certificate). Pub. Nadine Grady, Prague, 15 x 16.5” unframed. File no. JG.01/5/31 | Starting bid: $100 | Value: $500 | more details here

Jefferson Pinder, “Afro-Cosmonaut/Alien (White Noise),” Still from Video, 2008. Mounted photographic print (unframed). | Starting Bid: $250 | Value: $2,500 | more details here

Mark Booth, “A Substance Heated to Fluidity is Represented by a Scented Cleanser or Cleaning Fluid,” 2014. 19 x 25” (framed), gouache, acrylic, and ink on paper. | Starting Bid: $150 | Estimated Value: $1,600 | more details here

Mark Booth, “A Misaligned Eye is Represented by a Row of Unidentifiable Weeds,” 2014. 19 x 25” (framed), gouache, acrylic, spray paint, and ink on paper. | Value: $1,600 | Starting Bid: $150.00 | more details here

Deb Sokolow Info: Study for Frank Lloyd Wright’s Sadistic Streak, 2015, Graphite, colored pencil, crayon, collage on paper, 8 1/8 x 6″. | Second Bid: $250 | Value: $800 | more details here

Anne Wilson + Sally Alatalo, ” Imperfect Sutures,” 1995, artist-made book, (Now out of print). | Starting Bid: $15/ea | Value: $30 | two copies of this book are available here (A) and here (B))

Jefferson Pinder, “The Missionary Project,” 2009. Wood block print, no. 7 in an edition of 25. | Starting Bid: $75 | Value: $600 | more details

Magalie Guérin, “Punctuation and Screen 3,” 2014, ink and acrylic on paper, 14×17”, (framed). | Starting Bid: $250 | Value: $800 | more details here

Esau McGhee, “Madonna and Child,” (2015). Collage of found paper, screen print, acrylic and staples. | Starting Bid: $75 | Value: $250 | more details here

Ellen Rothenberg, ” Vienna/Kobani 5,” 2015. Photo: archival print, 14.5 x 22.25”, Edition: Artist Proof. | Starting Bid: $500 | Value: $1,500 | more details here

Jeremy Bolen, “Site A Excavation #7,” September 2013, Archival Pigment Prints created from buried film. dirt from site. 13”x16” | Starting Bid: $350 | Value: $2000.00 | more details here

Sonnenzimmer, “Sun Ra Arkestra,” Sonnenzimmer (Nick Butcher & Nadine Nakanishi), 2015. 6-color screen print, 16.5 x 23.4”, Edition of 340, signed and numbered. | Starting Bid: $10 | Value: $ 40 | more details here

Alexander Valentine, “Magnet’s Coil,” 2014, collage, 22 x 16″ (framed) | Starting Bid: $100 | Value: $750 | more details here

A. Laurie Palmer, “Two posters (The Lichen Museum),” 2014. Hand printed silkscreens. | Starting Bid: $40| Value: $200 | more details here

Lise Haller Baggesen, “Mothernism Flag (MOM IS WHERE THE ART IS),” 2013. Resist and dye on polyester/flag pole + holder, 44 x 44 in (111.76 x 111.76 cm). | Starting bid: $200 | Value: $650 | more details here

Candida Alvarez, “Untitled (after mom’s portrait),” 2013, pencil, marker on vellum. Drawing is 9 x 11”; frame size is: 12 1/4 x 15 ¼” |Starting Bid: $100 | Value: $1,500 | more details here

Kuras + MacKenzie, “Talented (Partner of George Michaels, Partner of Jack White, Partner of Paul Simon, Partner of George Passmore),” 2015. No. 2 in a variable edition of 10, hand colored crayon and ink on paper.| Starting Bid: $350 |Value: $1,000 | more details here

Rebecca Mir Grady, “Messier 1 / Crab Nebula,” 2012. Framed original drawing, ink on bristol board. | Starting Bid: $150 | Value: $400 | more details here

Jefferson Pinder, “Afro-Cosmonaut/Alien (White Noise),” Still from Video, 2008. Photographic print, (unframed) | Starting Bid: $75 | Value: $600 | more details

Carrie Gundersdorf, Nightsky and branches 2012. Found images/paper, 10 x 12” | Starting bid: $150 | Value: $800

Adam Grossi, “Little Vision,” 2013. Ultrachrome print on archival Hahnemuhle paper, #19 in an edition of 20, 2013. | Starting Bid: $50 | Value: $100 | more details here

Daviel Shy, “Sacrifice of a Caprid Sister (1 of 2),” 2012, wood, carriage bolts, brackets, fire. | Starting Bid: $75 |Value: $150 | more details here

Josh Rios + Anthony Romero, “Flowers (cement cake),” 2015, cement and flowers | Starting Bid: $75 | Value: $500 | more details here

Laurie Palmer. “Helium,” 2011. Photo-etching, 16″ x 20.”