Steffi Drewes, Sara Wainscott, + Sammi Skolmoski

On Wednesday, September 20th at 7pm, Steffi Drewes, Sara Wainscott and Sammi Skolmoski will give readings. Doors open at 6:30 pm. This event is free.

Steffi Drewes is author of the poetry collection Tell Me Every Anchor Every Arrow (Kelsey Street Press, 2016), as well as the chapbooks Magnetic Forest, Cartography Askew, and History of Drawing Circles. Her writing has appeared in various journals, and she recently debuted a set of photo-based tarot cards at The Wassaic Project Summer Exhibit: Vagabond Time Killers in New York. She lives in the San Francisco Bay Area and divides her time between writing, photography projects, and freelance editorial work.

Sammi Skolmoski is the Managing Editor at Featherproof Books and on faculty at SAIC and Roosevelt University. She is a regular contributor to Reductress and The Hard Times. Born/lives/likely dies in Chicago. More info at

Sara Wainscott’s work appears in DIAGRAM, The Journal Petra, Powder Keg, BOAAT, Fairy Tale Review, The Collapsar, Dream Pop Journal, and elsewhere. Her chapbook of sevenlings is forthcoming from dancing girl press (2017). She co-curates Wit Rabbit, an inter-genre reading series in Chicago.

Public Access Publication Launch

On Saturday, September 22nd at 7pm Abbye Churchill, Keeley Haftner, David Hall, Greg Ruffing, and Ellery Royston will launch Public Access. Doors open at 6:30 pm. This event is free.

Public Access is a partial and soft selling multi-use project space collaboratively tended to by Abbye Churchill, Keeley Haftner, David Hall, Greg Ruffing, and Ellery Royston. Public Access is launching the second half of their publication series where each publication corresponds to an exhibition held during Public Access’ first season. Each publication is available for purchase at Public Access and Sector 2337.

Willy Smart is an artist who works in presentational and propositional forms. Willy makes lectures, sculpture, and publications that propose extended modes and objects of reading and recording. Recent exhibitions and performances have taken place at BFI Miami, The Luminary, St. Louis; Essex Flowers, Willy directs the conceptual record label, Fake Music (

Sherae Rimpsey is an interdisciplinary artist and writer. She has exhibited her work internationally, most notably at the Center for Contemporary Art Ujazdowski Castle in Warsaw, Poland; the Zentral Bibliothek in Zurich, Switzerland and National Library of Buenos Aires, Argentina as a contributing artist in Luis Camnitzer’s El Ultimo Libro – The Last Book project; and the Akademie Schloss Solitude in Stuttgart, Germany where she was awarded the prestigious Solitude Fellowship. She is the recipient of a Philadelphia Foundation Grant, as a Flaherty Fellow and a Vermont Studio Center Fellowship and Residency. She has a BFA in Technology & Integrated Media with an emphasis in Visual Culture from the Cleveland Institute of Art and an MFA in Writing from the School of the Art Institute of Chicago.

Elena Ailes is interested in that which makes here a better person and a worse person, especially in theory. In reality, she is an artist and writer living and working in Chicago, IL. She received a MFA in Sculpture and MA in Visual and Critical Studies from the School of the Art Institute of Chicago. She has presented her texts, videos and installations widely, including at ArtPOP (Montreal), the Harvard Graduate School of Design (Cambridge), and 4th Ward Project Space (Chicago.) She is the co-founder of jeux d’été, an artist-run curatorial project, and currently teaches at SAIC.

Brandon Alvendia is a Chicago-based artist, curator, and educator. His interdisciplinary practice playfully engages spatial and social architectures by creating platforms for experimentation, discussion, and collaboration. He is the founder of multiple Chicago alternative spaces: artLedge (2004-2007 w/ Caleb Lyons), BEN RUSSELL (2009-2011 w/ Ben Russell), The Storefront (2010-2014), and art-publishing house Silver Galleon Press (2008-present). He attended The School of the Art Institute of Chicago (BFA ‘03) and University of Illinois at Chicago (MFA ‘07).
Greg Ruffing is an artist, writer and independent curator working around topics of spatial politics, architecture, and material culture. He has organized exhibitions and programming at venues such as The Perch, Public Access, SPACES (Ohio), and the upcoming Terrain Biennial. He recently completed a dual degree MFA in Photography and MA in Visual & Critical Studies from The School of the Art Institute of Chicago.

Mark Tardi, Chris Glomski, + Emily Martin

On Friday October 6th at 7pm, Mark Tardi, Chris Glomski, and Emily Martin will give readings. Doors open at 6:30 pm. This event is free.

Mark Tardi is originally from Chicago and he earned his MFA from Brown University. His publications include the books The Circus of Trust (Dalkey Archive), Airport Music, and Euclid Shudders. He guest-edited an issue of the literary journal Aufgabe devoted to contemporary Polish poetry and poetics and has translated poetry from the Polish by Kacper Bartczak, Miron Białoszewski, Monika Mosiewicz, and Przemysław Owczarek. A former Fulbright scholar, he lives with his wife and two dogs in a village in central Poland and is on the faculty at the University of Łódź. 

Chris Glomski’s most recent poetry collection, The Nineteenth Century, was published by The Cultural Society in 2011.  A chapbook, Eidolon, was issued by Answer Tag Home Press in 2008. His newest collection of poems, Lit Up, will appear later this year, also from The Cultural Society. His poems, translations, and critical writings have appeared in Notre Dame Review, The Literary Review, Jacket, A Public SpaceChicago Review, Precipitate and elsewhere. He lives in Oak Park, IL.

Emily Martin is a writer and educator from Brooklyn. Her work has been included in The ReclusePreludeDataBleedTarpaulin Sky, The Denver QuarterlyThe Iowa Review, among others. She and Derek Baron perform as Permanent Six Flags and they just released Harping on Units Since Forever with Reading Group, which is a record label where they are both sometimes executives and sometimes interns.

Matthew Reed Corey, Paula Cisewski, + Fred Schmalz

On Saturday, October 7th at 7pm Matthew Reed Corey, Paula Cisewski and Fred Schmalz will give a reading. Doors open at 6:30 pm. This event is free.

Paula Cisewski’s fourth poetry collection, quitter, won Diode Editions’ 2016 Book Prize and her third, The Threatened Everything, was the finalist selected for publication in the 2014 Burnside Review Book Contest. Both are newly released as of early 2017. Cisewski is also the author of Ghost Fargo (selected by Franz Wright for the Nightboat Poetry Prize), Upon Arrival (Black Ocean), and a chapbook of lyric prose, Misplaced Sinister (Red Bird Chapbooks). She has been awarded fellowships from the Banfill Locke Center for the Arts, the Jerome Foundation and the Minnesota State Arts Board.

Matthew Reed Corey appears in Chicago. His poems have appeared in Dream Pop Journal, Hayden’s Ferry Review, Crazyhorse, the Massachusetts Review, DIAGRAM, Artifice Magazine, MAKE, Matter, Pinwheel, and elsewhere.

Fred Schmalz, the author of Action in the Orchards (Nightboat Books, 2019), is an artist and poet whose current writing focuses on textual response to encounters with dance, music, and visual art. He has performed in a variety of contexts, collaborating with dancers, artists, musicians, and performers. A pamphlet, “Measures” appeared in the Present Tense series in 2016. His field guideClaes Oldenburg’s Festival of Living Objects was published in conjunction with a series of gallery walks by the Walker Art Center in 2013. He is the author of the chapbooks documenta 13 Daybookand Ticket. He edits and publishes the micropress Swerve Press.

Jordan Scott, Nathanael Jones, + Dolly Lemke

On Friday, October 13th at 7pm, Jordan Scott, Nathanael Jones, and Dolly Lemke will give readings. Doors open at 6:30 pm. This event is free.

Jordan Scott is the author of Silt (2005), blert (2008) and, with Stephen Collis, Decomp (2013). Scott is the 2015/16 Writer-in-Residence at Simon Fraser University. He lives in Vancouver, BC, Canada.

Nathanael Jones is a Canadian writer and artist. He holds a BFA from NSCAD University and an MFA in Writing from SAIC. He has performed and exhibited in Chicago and Halifax, and his work has been published by the Cerealbowl Collective, Hound, HAIR CLUB, Present Tense Pamphlets, Infinity’s Kitchen, and Homonym.

Dolly Lemke was born and raised in Milwaukee, Wisconsin. She currently lives and works in Chicago where she received an MFA in Poetry from Columbia College Chicago. She is the author of two chapbooks, O Town Heights (DoubleCross Press, 2012) and I’m so into you (plumberries press, 2013). She founded and co-curated of The Dollhouse Reading Series from 2011-2016 and also co-founded the online poetry journal PINWHEEL with Stephen Danos where she currently serves as Editor-at-Large.

En Español: Poetry, Prose, and Polemics (Part of the Lit & Luz Festival)

A reading and conversation featuring Cristina Rivera Garza with Carla Faesler, and guests

On Thursday, October 19th at 7pm, Cristina Rivera Garza with Carla Faesler will give readings and conversation about poetry, gendered language, Juan Rulfo, and more. Daniel Borzutzky hosts. Doors open at 6:30 pm. This event is free and co-sponsored by Make Magazine, The Green Lantern Press, and SAIC.

Daniel Borzutzky grew up in Pittsburgh, Pennsylvania, of Chilean heritage. His recent books of poetry are The Ecstasy of Capitulation (2007), The Book of Interfering Bodies (2011), and The Performance of Becoming Human (2016). He is the Intercambio Poetry Editor for MAKE and the 2016 awardee of the National Book Award for Poetry.

Daniel Borzutzky crecio en Pittsburgh, Pennsulvania, de herencia chilena. Sus recientes libros de poesía son The Ecstasy of Capitulation (2007), The Book of Interfering Bodies (2011), y The Performance of Becoming Human (2016).  Es el editor de poesía de Intercambio de MAKE

Carla Faesler (Mexico City, 1967) is the author of the Catábasis exvoto (Bonobos, 2010) and the novel Formol (Tusquets, 2014), which was named the best book published in 2014 by La Tempestad magazine in its annual Presente de las Artes en México issue. In 2002 she won the Gilberto Owen National Prize for Literature. For years she has made multimedia poetry as a part of her experimental work. Her work has been has been translated into English, German, and Bengali.

Carla Faesler (Ciudad de México, 1967) es autora de Catábasis exvoto (Bonobos, 2010) y de la novela Formol (Tusquets, 2014), considerado el mejor libro publicado en 2014 por la revista La Tempestad en su edición anual Presente de las artes en México. En el año 2002 obtuvo el Premio Nacional de Literatura Gilberto Owen. Como parte de su práctica experimental desde hace varios años realiza poesía visual. Su ha sido traducida al inglés, al alemán y al bengalí.

Cristina Rivera Garza is currently a distinguished professor of Hispanic Studies at the University of Houston, where she developed the first doctoral program in Creative Writing in Spanish in the United States. Among her novels are Nadie me verá llorar (2011) and La muerte me da (2009)both winners of the Sor Juana International Prize. She recently won the José Emilio Pacheco Excellence in Literature Award, as well as the Roger Caillois International Prize (France, 2013).

Cristina Rivera Garza es profesora distinguida de Hispanic Studies, de la University of Houston, en donde desarrolla el primer doctorado en escritura creativa en español en los Estados Unidos. Entre sus novelas se distinguen Nadie me verá llorar (2011) y La muerte me da (2009)—ambas ganadoras del Premio Internacional Sor Juana. Recientemente ganó el Premio Excelencia en las Letras “José Emilio Pacheco”, así como el Premio Internacional Roger Caillois (Francia, 2013).



Folding and Unfolding: Graphics, Human Nature and Surprise: A Conversation

On Thursday, October 26th at 7pm cartoonist Anders Nilsen will be joined in conversation by Nadine Nakanishi and Nick Butcher of Sonnenzimmer for the release of two books: Nilsen’s Tongues Chapter One and Sonnenzimmer’s Café Avatar. The artists will each present their own new works and interview one another about the intersections of graphic design, book-making, human life and expression, and the particular strangeness of getting ideas across with pictures. Nilsen and Sonnenzimmer are each unusual exemplars of their mutual disciplines: both are at once highly respected practitioners in their chosen fields, as well as being noted iconoclasts and experimentalists. The conversation will be structured as a kind of game of reveals, injecting some of the unpredictability and surprise the artists have all fostered in their own work. Doors open at 6:30 pm. This event is free.

About the artists:

Cartoonist and artist Anders Nilsen is the author of nine books including Dogs and WaterThe EndDon’t Go Where I Can’t Follow and the multiple award-winning Big Questions. His comics have been featured in the New York Times, the Chicago Reader, Medium, Kramer’s Ergot and elsewhere. His work has been widely translated and exhibited internationally. After thirteen years in Chicago Nilsen currently lives in Portland, Oregon.

Sonnenzimmer is the collective work of artists Nick Butcher and Nadine Nakanishi. Their collaborative practice was established in 2006 in Chicago, Illinois. Initially recognized for their idiosyncratic commissioned screen-printed posters, their practice has since morphed into an interdisciplinary toolshed spanning multiple platforms, including exhibitions, publishing, performance, graphic design, and exhibition design. Equal parts balancing act between art and design and radical reclamation of all aspects of visual expression, the studio is grounded in the lasting potential of the graphic arts, while exploring the physical and conceptual friction between abstraction and communication.

About the books:

After a number of more experimental ventures in comics and visual storytelling Nilsen’s new book Tongues marks a return to the more traditional comics form he last explored in Big Questions. Nilsen’s first book in full, lushly rendered color, Tongues is at once an adventure story with roots in ancient greek mythology and an exploration of human nature, language and evolution. Set in the contemporary middle east the book is a meditation on our present fraught historical moment.

Sonnenzimmer’s new book Café Avatar explores the folding graphic fabric of humanity. Through text and illustration, Sonnenzimmer posit the current age as a graphic-centric plane. As humanity enters a new skin, how will we remember our physical selves…or are we becoming computational mochas? Co-published with Perfectly Acceptable Press and released on the occasion of the exhibition Café Avatar at University of Tennessee at Chattanooga, the artist book functions as a meta-catalog and a stand alone work.

Alain Jugnon + Artaud in Amerika

On Friday, October 27th at 7pm Alain Jugnon, Nathanaël, Patrick Durgin and Alison James will give a reading. Following the reading will be a discussion on and around Artaud’s essays Postscript from Van Gogh, the Man Suicided by Society and Conclusion from To Have Done with the Judgment of God. Please contact (Devin at Sector.2337) for copies of the text.Doors open at 6:30 pm. This event is free.

Alain Jugnon has written for the theatre and has published essays and articles on Nietzsche, Artaud, and Bataille. He is the editor of Cahiers Artaud and the political and poetic journal La contre-attaque.

Nathanaël is the author of more than a score of books written in English or in French. Her translations include works by Danielle Collobert, Édouard Glissant, Hervé Guibert, and Catherine Mavrikakis.

Patrick Durgin is a poet-critic and co-curator of the annual Festival of Poets Theater. His most recent book is PQRS: A Poets Theater Script.

Alison James is associate professor of French at the University of Chicago. She has published a book on Georges Perec and articles on the Oulipo, contemporary French fiction, documentary writing, and connections between literature and philosophy.

Faith Wilding + Robin Deacon

On Saturday, November 11th at 7pm, Faith Wilding and Robin Deacon will give readings and have a conversation. Doors open at 6:30 pm. This event is free.

Faith Wilding is an intermedia artist, writer, and educator, deeply engaged with teaching and learning, and the intersections of feminism, social justice, cyberfeminism, biotechnology, radical pedagogy, and eco-feminism.

Robin Deacon is a British artist, writer, filmmaker, and educator. His work has explored questions of memory, absence and fiction in performance, through a constant reconfiguration of his role as an artist – as a journalist and biographer, operator and technician, imposter and stooge. His recent research projects have explored histories of video documentation and outmoded media formats, as well as the practice and ethics of performance reenactment. His live and screen based work has been extensively presented in Europe, the US, and Asia. Robin is Associate Professor and Chair of Performance at the School of the Art Institute of Chicago.

Alan Felsenthal, Geoffrey Hilsabeck, + Jennifer Nelson

On Friday, November 17th at 7pm, Alan Felsenthal, Geoffrey Hilsabeck and Jennifer Nelson will give readings. Doors open at 6:30 pm. This event is free.


Alan Felsenthal runs a small press called The Song Cave. With Ben Estes, he edited A Dark Dreambox of Another Kind: The Poems of Alfred Starr Hamilton. His writing has appeared in BOMB, The Brooklyn Rail, Critical Quarterly, Fence, jubilat, and Harper’s. Lowly, published by Ugly Duckling Presse, is his first collection of poems.

Geoffrey Hilsabeck is the author of the chapbooks The Keepers of Secrets and Vaudeville. His poems, essays, and translations have appeared or are forthcoming in Seneca Review, 6X6, Bomb, Wax, The Chronicle of Higher Ed, and the Poetry Foundation. He teaches at West Virginia University and lives in Morgantown, WV. His first collection of poems, Riddles, Etc., is forthcoming from The Song Cave.

Jennifer Nelson is an assistant professor in the department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. She is also the author of two books of poems: Aim at the Centaur Stealing Your Wife (UDP, 2015) and Civilization Makes Me Lonely (Ahsahta, 2017). Her poems have recently appeared or are forthcoming in BathHouse, LIT, Make: A Literary Magazine, Palimpsest, Pinwheel, and Versal.